Significant Enlightenment philosophers in aesthetics, such as Schopenhauer and Hegel, form the foundation of many of our aesthetic ideas. After briefly unpacking their ideas in this regard, I argue that such philosophers are unable to deal with non-mimetic art, such as abstract painting, and that their views on aesthetics only apply to a subset of the visual arts. In this case, I propose an alternative aesthetics that takes into account artistic advances. Specifically, a metaphorical view of art. Another way to perceive the metaphorical play of images and/or words is to recognize the distinction that analytical philosophers make between various meanings of the word "is," as in mimetic resemblance. This aesthetics conception appears to argue for the pervasiveness of aesthetic experience, undermining the said philosophers' hierarchical framework. elevation of the arts above ordinary experience This invites a different aesthetic, in which sport can be regarded as a type of art. In this regard, the role of metaphor, both positively and negatively devolving from the post-modern "language turn," leads to a holistic conception of experience, whether classified as art or sport, and this is argued for as the so-called "argument from intertwining."
Author (s) DetailsDaniel Shorkend
WIZO School of Design, Haifa, Israel.
View Book :- https://stm.bookpi.org/STHSS-V1/article/view/1534
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