The goal of this analysis of Emily Dickinson's poem "All overgrown by cunning moss" (1859) in the context of the author's influences (specifically, Charlotte Bronte) is to look at how the poem challenges notions of reality and classification, and how it uses nature and death to represent indeterminacy as a state of being. As a result, the poem serves as both a representation of natural phenomena and an illustration of poetics, or how poetic discourse creates a methodology for understanding alternative states of being, enhancing the individual reader's ability to detect and discern multiple ways of seeing and multiple interpretative possibilities.
Author(S) Details
Susan Smith Nash
The University of Oklahoma, US.
View Book:- https://stm.bookpi.org/NVST-V10/article/view/4894
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