This paper analyses the contributions that Mauritian female
indentureship has on literature of the female indentured. In Mauritian
literature, views of indenturedship are often a topic for discussion towards
postcolonial literature, which is about “dislocation” (Nair, 2013) that is
displacement from emigration. With a close focus on contemporary 2010s
Mauritian literature of Khal Torabully’s Coupeuses D’Azur (2014), this paper
focuses on the female indentured dislocation. Analysis of the female indentured
dislocation is organized through the field and the body of the Coupeuse (that
is female cane-cutter) in Coupeuses D’Azur. This paper aims to analyse the
female indentured from the theoretical lenses of space. In this correspondence
I shall draw from Gerhard Van den Heever’s (2017) spatialising practices to
tease out the dislocation of the female indentured labourer as it happens in
Coupeuses D’Azur. Using an interpretive qualitative stance, this paper presents
Coupeuses D’Azur from the perspectives of the Coupeuse prior to and post
migration events iterated as her body reacts with her space in the field.
Therefore, this paper concludes that the body engagement of the Coupeuse is
receptive to space signification on interpretation of her space in the field.
Author(s) Details:
Anisha Badal-Caussy,
Department of Mauritian Studies, School of Mauritian and Area
Studies, Mahatma Gandhi Institute, Moka, Mauritius.
Please see the link here: https://stm.bookpi.org/PLLER-V6/article/view/13598
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