In the context of contemporary art, visual expression has
long transcended the realm of formal language, becoming a critical practice
that deconstructs, reconstructs, and challenges historical experiences, social
structures, and the politics of perception. Especially within the Chinese
context—where global capitalist logic intersects with the tensions of local
culture—artists continuously expand our understanding of “vision”, “the body”,
“nature” and even “being” itself through diverse media and complex semiotics.
Against this backdrop, this book focuses on three representative Chinese
contemporary artists—Li Xinmo (b. 1976), Ai Weiwei (b. 1957), and Zheng Bo
(1974)—seeking, through interdisciplinary theoretical perspectives, to reveal
the political sensibilities, ethical dialectics, and ecological reflections
embedded in their works, as well as their manifold revelations for contemporary
society.
Author(s) Details
Huang Xiao
International College of Art at Krirk University, Thailand.
Please see the book here :- https://doi.org/10.9734/bpi/mono/978-93-47485-59-6
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