This division confirms the existence of an crossroads between two main genres Feminist Literature and Lockup Literature along with the approaches and beautiful tools. The exploration for freedom, revelation, admittance of information, revolution against persecution, and devastation of all the forms of authority comprise central points of intersection, that reach their burning point when the writer herself is the convict who lives the occurrence of imprisonment and she reveals her knowledge through writing a narrative text. Penitentiary Literature is a disclosure and a rebellion against suppressive expert, Feminist Literature is still a rebellion and a revolution against manlike norms, including breaking the governmental, social, and conscientious taboos. Prison literature is an consequence of real experiences, and allure authors may have knowledgeable a prison life or grant permission heard about it through the experiences of remainder of something. Social and governmental reality has a connection accompanying Prison literature. It too denounces the tactics of intellectual shock and political oppression, that violate citizen's rights, confine their freedom, and renounce them the ability to express their belief freely.This study suggests calling this type of biography written by specific women writers as "Feminist Penitentiary Literature" and seeks to explain this interconnectivity and prove that the confinement literature that the woman scrawls does not differ in its ideas and features of allure revolutionary content, its beautiful devices and techniques from fathers's prison research. This chapter has developed by inspecting a case study, the novel al-Sharnaqa/ the Swathe by the Syrian woman dramatist, Hasiba 'Abd al-Rahman. The authors of the novel reveal the woman's uncovering to repressive proofs. In return, the study reveals the woman's attempts to rebel against these impediments in her quest for freedom, and audacity to penetrate the prohibited trinity.
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