Differences in Symptoms of Primary Dysmenorrhea | Chapter 5 | Advanced Concepts in Medicine and Medical Research Vol. 4

 The objective of the study search out establish semiological distinctnesses associated with primary dysmenorrhea in female academy students from a University in Peru.Dysmenorrhea is a condition that exhibits itself before, during and after period and is accompanied by very passionate pelvic pain.Women experience menstrual cramps, which decreases their condition of life. Those the one begin their menstrual eras with these symptoms adopt that it is normal what specialized medical help is not necessary.Medical specialists have established general practice directions on clinical disorders of the period, However, there are no particular recommendations that effectively support the prompt diagnosis and situation of primary dysmenorrhea. The particularity of our research is that the manifestations they can vary contingent upon the altitude of 3870 meters above sea level, so it should to continue accompanying experimental and comparative research.

Author(s) Details:

Sandra Alejandra Fernández Macedo,
Andean University Nestor Caceres Velasquez, Juliaca, Peru.

Julio Jimenez Agüero,
Santa Rose Hospital, Lime, Andean University Néstor Cáceres Velásquez, Juliaca, Peru.

Graciela Bernal Salas,
Hospital Carlos Monge Medrano, Andean University Néstor Cáceres Velásquez, Juliaca, Peru.

Sonia Benita Fernandez Tapia,
Andean University Nestor Caceres Velasquez, Juliaca, Peru.

Esperanza Cueva Rossel,
Hospital Regional Manuel Nuñez Butron, Puno, Andean University Nestor Caceres Velasquez, Juliaca, Peru.

Please see the link here: https://stm.bookpi.org/ACMMR-V4/article/view/12474

A Missing Link between Musicology and Music? New Insights from the Philosophy of Complexity and the Musical Heuristics | Chapter 1 | Selected Topics in Humanities and Social Sciences Vol. 2

 The purpose of this chapter is to argue for the inclusion of Edgar Morin's philosophical principles of complexity as supplements to the musical panoply of analyses and interpretations derived from musical semiology and musicology. In this way, such analyses can be given a new critical approach, adopting a polysemic attitude that is better suited than the current one to convey the full richness of the musical phenomenon, particularly in terms of its fluidity and dynamics. The first section of the article attempts to define the boundaries of Jean-Jacques Nattiez's musical semiology, as well as the analyses. as a result of it We will investigate the concept of musical work in depth, examining the components of its complexity that prevent a reductive operation between the score and the work. The second section of the chapter is concerned with the reconstruction of musical works, which is proposed on the basis of Musical Heuristics, allowing for "embodied" knowledge of the reference pieces and thus supplementing the analyses derived from musical semiology. In conclusion, my paper attempts a musical application of the three underlying principles of complexity philosophy.

Author (S) Details

Mandolini Ricardo
University to Lille “Sciences Humaines Et Sociales”, France.

View Book :- https://stm.bookpi.org/STHSS-V2/article/view/1800