Education transmits not only academic values but also moral
values, beliefs, and attitudes. Values such as cleanliness, obedience, and hard
work are usually imparted unintentionally in schools through the hidden
curriculum, leaving lasting impacts on learners’ lives. However, the hidden
curriculum may perpetuate gender or social inequalities, and learners end up
revolting against these negative norms and values. This study explores the role
of graffiti as a way of emotional venting and its potential to challenge
educational hegemonic practices. Through the lens of Critical Theory, the study
investigates how students and teachers in schools of Chiredzi District use art
to express their discontent and vent their emotions. Employing a qualitative
approach, where observations and interviews were utilised as data collection
tools to find out the experiences and perceptions of three secondary school
teachers and learners. The schools were purposively sampled because of their
proximity to the researcher, and the participants consisted of ten teachers and
twenty students. The study found that students utilise graffiti as a form of
resistance and to revolt against hegemonic narratives that are imparted through
the hidden curriculum. Graffiti, which is often perceived as vandalism, is
portrayed as a form of communication and a voice against social inequalities
that are transmitted through the hidden curriculum. The study recommends
developing artistic expressions among students and also creating an inclusive
environment in schools.
Author(s) Details
Guilty Hlilokela
Department of Educational Foundations & Curriculum Studies, Seke
Teachers College, Zimbabwe.
Please see the book here :- https://doi.org/10.9734/bpi/mono/978-93-47485-01-5/CH7
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